I've been busy lately. I finally finished my novel. Now I'm working on the next step, querying agents. I had written a query letter. and sent it off to a few agents. So far I've gotten rejection. I took some time to write a new query letter. When comparing it to the first letter, the second is much better.
I have the book GUIDE TO LITERARY AGENTS. It is full of agents. This is a great book to have. Using it is so much easier than spending hours on line searching for agents.
I'll keep everyone updated on my efforts in getting a literary agent.
Now for business.
Following are some articles from SCRIPT MAGAZINE I got from their email newsletter. Check them out.
Characters are engines that drive ideas into a story. Each of the major character types plays a specific role in that process. Michael Tabb highlights THE MENTOR.
Click to Continue
THE CRAFT: Professional Screenwriters on Blocking Writer's Block
Stuart Perelmuter shares tips from professional writers, Eric Roth, Simon Kinberg and Stephen Susco, on how they beat writer's block.
Click to Continue
COLUMN D: Respect the Subplot
Subplots add depth and texture to your story. Drew Yanno explores the effective use of subplots in the movie 'Rear Window.'
Click to Continue
Essentials of Having an Active Protagonist + Exclusive FREE Download
Begin on this page by exploring the definition and essentials of having a strong protagonist, followed by a few examples. Then be sure you get your FREE download of 4 Crucial Questions for Your Protagonist to learn how to create an active protagonist to drive your story!
Click to Continue
SELLING YOUR SCREENPLAY: Screenwriter J. Mills Goodloe On 'The Age of Adaline' Starring Blake Lively & Harrison Ford
Ashley Scott Meyers talks with screenwriter J. Mills Goodloe about his new film, 'The Age of Adaline,' starring Blake Lively and Harrison Ford.
Click to Continue
ScriptMag Archives: SUBMISSIONS INSANITY: 6 Reasons Loglines Go Bad
ScriptMag looks back at older articles that still pack value for today's screenwriter. This week, let's revisit Lucy V. Hay's post with logline advice.
Click to Continue
______________________________
The Multi-Hyphenate Hammad Zaidi
Meet Script's new podcast and YouTube co-host, writer and producer Hammad Zaidi. Hammad shares advice on writing, getting representation and distribution. Stay tuned for the launch of Development Hell and Back podcast!
Click to Continue
SCREENPLAY STRUCTURE: The Spine of the Screenplay
The first step of screenplay structure requires knowing the dramatic spine of your story. Susan Kouguell offers tips.
Click to Continue
Elevate Your Antagonist with Tips in Our FREE Download
Get your FREE download of 6 Tips for a Stand-Out Antagonist to learn how to create an compelling nemesis for your protagonist!
Click to Continue
LEGALLY SPEAKING, IT DEPENDS: Short Film Report
As this goes to press, Chris Schiller should be on set in the midst of producing his short film. You should always have a plan B, and a plan C, ready before you set out.
Click to Continue
BEHIND THE LINES WITH DR: When Good Dialogue Goes Bad, Part 2
Just because a writer can write good dialogue doesn’t mean that, in the crux of the moment, they won't end up in handcuffs...
Click to Continue
Meet Script's new podcast and YouTube co-host, writer and producer Hammad Zaidi. Hammad shares advice on writing, getting representation and distribution. Stay tuned for the launch of Development Hell and Back podcast!
Click to Continue
SCREENPLAY STRUCTURE: The Spine of the Screenplay
The first step of screenplay structure requires knowing the dramatic spine of your story. Susan Kouguell offers tips.
Click to Continue
Elevate Your Antagonist with Tips in Our FREE Download
Get your FREE download of 6 Tips for a Stand-Out Antagonist to learn how to create an compelling nemesis for your protagonist!
Click to Continue
LEGALLY SPEAKING, IT DEPENDS: Short Film Report
As this goes to press, Chris Schiller should be on set in the midst of producing his short film. You should always have a plan B, and a plan C, ready before you set out.
Click to Continue
BEHIND THE LINES WITH DR: When Good Dialogue Goes Bad, Part 2
Just because a writer can write good dialogue doesn’t mean that, in the crux of the moment, they won't end up in handcuffs...
Click to Continue