Wednesday, November 19, 2014

Crafting and Selling The Screenplay

Dear Readers,

Here are some more articles from Script Magazine. Check them out.


10 Vital Pitching Tips from Austin Film Festival
With his years of experience helping writers learn how to pitch their screenplays, Danny Manus offers invaluable pitching tips from the Pitch Finale of Austin Film Festival.
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Legally Speaking, It Depends: Short Film Woes and Worries
Christopher Schiller takes our readers on the ride of creating a short film. Learn the intricacies of all to consider from script to production.
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Crafting the Scene
Writing great scenes requires talent, skill, know-how and practice. While the first two can’t be taught, you can learn what makes a great scene, recognize when a scene doesn’t work and why, and apply practical techniques as you craft dramatic scenes and receive feedback from the instructor.
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Selling Your Screenplay Podcast: John Suits, Writer, Director, Producer
Ashley Scott Meyers interviews John Suits, writer, director, and producer. He talks about his latest film, The Scribble, a graphic novel adaptation.
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Learn How to Create Dynamic Characters Actors Want to Play With Our FREE Webinar!
To increase your odds of getting produced, you need to attract top talent who will put an audience in the seats. Creating characters that actors want to play is a must. In our FREE Creating Dynamic Characters Webinar, you’ll learn how to create and develop characters from screenwriter and Editor of Script Magazine, Jeanne Veillette Bowerman.
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Get Your FREE Screenwriting Downloads
As our gift to our loyal readers, ScriptMag is giving away FREE Screenwriting Downloads! Check back often, as we offer new ones each month.

The filmmaking industry has a certain expectation of not only how a script for a movie or TV show is written but also of how to market your script and yourself. In our FREE downloads, you’ll receive expert advice on how to create a logline, how to structure an outline, TV writing, and tips on how to move your plot forward using your character’s inner journey, and more!

Get your FREE DOWNLOADS today!

Script Writing Advice From the Professionals

Dear Readers,

How are some articles I got from a news letter from Script Magazine. Click on them to read. The click links will take you to the full articles.

Balls of Steel: How Do Writing Partnerships Work?
Jeanne Veillette Bowerman takes you through the processes she's used with her different writing partners to help you create writing partnerships that work... without killing each other.
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Behind the Lines with DR: Child Actors - Showbiz Hell is for Children
Doug Richardson discusses the challenges of raising child actors and the impact working in this crazy industry has on their overall lives.
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Writers on the Web: Veteran Producer/Literary Manager Gary W. Goldstein on Breaking Into Hollywood (Part Two) 
Rebecca Norris continues talking with Gary W. Goldstein about writers attracting representation, producing their own work, and Breaking Into Hollywood.
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Learn How to Double Your Odds of Success with our FREE Download: Script to Novel Writing Tips!
Why only get part of the benefit of your script? Don't just stop there, adapt it to a novel for even more reach with these script to novel writing tips!
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ScriptMag Archives: The Craft - A Starter Guide to Researching World-of-Story
ScriptMag looks back at older articles that still pack value for today's screenwriter. This week, let's revisit Robert Piluso's article on story research.
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Tuesday, November 18, 2014

Script / Screenwriting Service





Treatments : $ 48.00 (2 - 3 pages; for scripts)

Edits/Proofread:  $48.00  (proofread for scripts)

Critique :  $58.00 ( for scripts)

Query Letters :  $28.00 (scripts/books): 

Synopsis :  $38.00 (script/books): 

Edits/ Proofread for Books:  $90.00

Critiques for Books:  $125.00

Are you writing a Short Story?  Now  I offer service for Short story writers as for the other services, the fees are flat.

Edits / Proofread for Short Stories: $30.00

Critiques for Short Stories: $30.00

( If you are not able to pay in full, the payment for any service can be made on installment - divided in half. If you would like to use my service, let me know whether you need  to pay on installment or can pay in full. I am willing to be flexible.)

Some people request edits and critiques together. If a writer wants both, to me this says the writer is not completely confident his or her script is ready. So I  recommend getting the critique first. Use the critique to redo the script. Once the script is just right, then request the edit.

However, there are script, screenplay, writers who insist on having both an edit and critique together.  So I offer an edit and critique combo at discount.

Edit &Critique Combo Discount: $66.00   This is a discount savings of $40.00

All payments are received by Paypal. If you cannot make Paypal payments you may mail payments in the form of cashier checks or money orders. NO personal checks

If you are interested in my services feel free to contact me at
ahicks4298@q.com

Phone: (360) 696-4298

There's nothing like a good deal.



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Dear Readers,

Here is something that will interest you.

You have written a great script for a movie or series, but you just can't break through Hollywood. Don't get discouraged. You can develop your work into a web series. Read the following article. It discusses this topic.

 Keep in mind you must maintain a high level of writing and creativity as you would if your work were to be on TV and the big screen. Maintaining comparable quality will build an audience.

******************

5 Tips for Your Webseries Production
imageplaceholderJeanne Veillette Bowerman
Online Editor
ScriptMag.com

With the Internet, there are more ways than ever for writers to be discovered. Rebecca Norris takes Script's readers on her own ride of creating her webseries.

If you've thought about writing a webseries of your own, don't miss Rebecca's webinar on Monday, November 17th onWriting the Web Series, now ON SALE until November 14, 2014. You do not have to attend the live event to get a recording of the presentation.
 
____________________ 

by Rebecca Norris

You finally made it. All that work in development and pre-production (and a year’s worth of articles on the subject!) and we’re finally here, your first day of production on your web series! 

Now is when the hard work you (hopefully) did in pre-production will pay off, and you’ll be grateful for all of those 4 AM work nights and the stressing and binge drinking and hair loss and everything else that went with it. 

Here’s some tips from my personal experience to help you during the first day of your web series production: 

1.) Get some sleep the night before. 

With proper planning and a little luck, you’ll be in a good place the day before your shoot. You might have some last minute errands to attend to, but hopefully everything’s in place with your cast and crew and you’ve stomped out all your fires the week prior. 

You can’t prepare for everything, however, and sometimes surprises do pop up. Like your production designer needing to drop out at 9 PM the night before your shoot, sending you on a panicked late-night trip to Target to buy set pieces, props, and décor, causing you to stay up all night dressing the set yourself before a 14-hour work day. Don’t you love surprises? 

Thank God Target’s open ‘til eleven. 

Barring any disasters, get a few hours of shut-eye, so you can… 

2) Be the first person on set in the morning. 

As the Producer and/or Director of your project, you need to demonstrate leadership. The cast and crew need to know that you’re competent and can be trusted. You’ll inspire them to do their best work if they see you doing yours. So set that alarm clock (or two) and wake up early. 

An extreme example of what not to do: I worked at a job once where most days the owner of the company either didn’t come in to work, or came in very late, and would no-show to her own appointments. Many of the clients she stood up were movie stars and celebrities, which was more than a little embarrassing. I had never witnessed anything like this before, and I found myself wondering: “If the owner of this company doesn’t even care about this place, then why the heck should I?” 

Be the Captain of your ship and lead by example... 

Read more of Rebecca's tips and sign up for her webinar... 

Get Your Novel Made Into A Movie

Dear Readers.

I know there are a lot of you trying to sell a script or novel made into a movie. Read the following article from Writers Digest. It can shed light on this topic.



wd-logoHow I Got My Book Optioned for a Major Motion Picture 
Have you ever been curious about what it takes to get your novel or series turned into a movie or film franchise? In today's guest post, Robert Blake Whitehill, author of the Ben Blackshaw series, sheds some light on his experiences in getting his novels optioned.
Read more ...

Sunday, November 16, 2014

Here's something I got in the email today. I wanted to share it with you.


10 Tips to Create Great Plots

10_Tips_to_Create_Great_Plots
imageplaceholderSUE JOHNSON
Writer's Digest Tutorials

Hi Everyone!

Too many writers think that the plot of a story is made up of either fast-paced, external action or quiet and introspective moments. Plot is both those things and so much more. Creating a compelling plot incorporating action and emotion and meaning requires talent, skill, know-how, and practice. Learn what makes a great plot and how to apply practical plot techniques as you craft a dramatic heart-felt and meaningful story.

Martha Alderson, also known as the Plot Whisperer, has helped novelists of all genres and memoirists and screenwriters write stories with plots. Writing a story with a plot from beginning to end using universal story-telling methods gives you confidence as you explore your characters, action, and deeper meaning.

In this 68-minute tutorial video, you’ll learn:

  • Simple techniques to master plot
  • Key elements of plot in the beginning, the middle, and the end of your story
  • The importance of weaving action, emotion, mystery, romance, meaning, and more through to the very end of the story
  • All about the heart of your plot
  • Effective techniques to developing memorable characters
  • The most common plot problems and how to avoid them

Preview: 10 Tips to Create Great Plots >

Writer's Digest Tutorials Members enjoy full access to all tutorials featured in this newsletter, as well as every tutorial on the tutorials site. Did you know that for only $199 you gain access to all Writer's Digest's writing tutorials for an entire year? That means you have access to all 187+ current tutorials and all the new tutorials created throughout the year. With the addition of at least one new tutorial every week you have access to a minimum of another 52 educational tutorials. Watch every video whenever you like, as often as you would like . . . and be the first to watch the new tutorial we post each week! 

Haven't taken advantage of the wisdom bestowed through the WD tutorials yet? Why not try it out today and see all that our WD tutorials have to offer! You can try WD Tutorials for only $25/month! You will enjoy instant access to 187+ tutorials, including at least one new tutorial added weekly. Also, there are many new tutorials still in development. Feel free to preview the many tutorials immediately available to you through the WD Tutorials site.

Wishing you a wonderful week!

~ Sue Johnson~

P.S. If you missed the last newsletter (or two), be sure to watch these new and featured tutorials:


Editing Skills That Will Make Your Manuscript Shine

Re-Creating Poetry: How to Revise Poems

Writing Scary: How to Use Pacing, Sentence Structure, and Word Choice to Scare the Pants Off Your Readers

Strategies for Character Development: Character-Based and Plot-Driven

Structuring Your Novel: Discover the Proven Blueprint for Creating Stories That Sell

Creating Poetry: How to Self-Prompt Poems

Secrets to Selling Your First Novel


For quick and easy access to all WD Tutorials available to you, use this link:


View All WD Tutorials >

Hello, readers.

How is your Sunday?

I have something here for you. If you would like to talk directly with an agent concerning your book check out the info below.

Work Directly with an Agent Online to Perfect Your First Ten Pages!
Starts Friday!
REGISTER NOW
Hurry, Limited Seating!
Start Date:
 Friday, November 21, 2014
Tuition: $199
REGISTER NOW
As many writers know, agents and editors won't give your work more than ten pages or so to make an impact. If you haven't got them hooked by then, it's a safe bet you won't be asked for more material. Make sure you've got the kind of opening they're looking for! In this invaluable weekend event, you'll get to work with an agent online to review and refine the first ten pages of your novel. You'll learn what keeps an agent reading, what are the most common mistakes that make them stop, and the steps you need to take to correct them. The best part is that you'll be working directly with an agent, who will provide feedback specific to your work.

Here's how it works:
On Friday morning, November 21, you will gain access to a special 60-minute online tutorial presented by agent and editor Paula Munier. It will help you clarify what you should be looking for in your work. You will also be notified by email which agent you'll be working with on Friday. (All times noted are Eastern Time).

After listening to the presentation, you'll spend Friday evening revising your first ten pages as necessary, given the guidelines provided in the presentation, and you'll email those pages directly to Paula or one of four additional agents from Talcott Notch Literary, including Gina Panettieri, Rachael Dugas, and Jessica Negron, by Saturday morning at 10:00 AM (ET). They will spend all day Saturday reviewing their assigned pages and providing feedback as to what works and what doesn't.

All pages with notes will be returned to participants by 11:00 AM (ET) Sunday morning. Throughout the day onSunday, you'll work to revise your pages based on the agent's specific feedback. From 1:00 to 4:00 PM, Paula, Gina, Rachael, Jessica, and Sara will be available to answer questions and provide additional feedback via the Writer's Digest University message boards. Only registered students can access these boards. You'll also be able to ask question of your fellow students. Feel free to share your work and gain support from your peers.

By 10:00 PM (ET) Sunday night, you'll return your final revised pages to your assigned agent for review. They will spend the next week reading the revised submissions assigned to them, and will provide a final brief one-or-two sentence critique of your progress no later than December 1. Please note that any one of them may ask for additional pages if the initial submission shows serious promise.

*Please note: All attendees should have the first 10 pages of their novel finished and ready to submit to the agent prior to the beginning of the event.

In addition to feedback from Paula, Gina, Rachael, or Jessica, attendees will also receive:
  • A download of "An Agent's Tips on Story Structures that Sell," an on-demand webinar by Andrea Hurst
  • 1-year subscription to the WritersMarket.com literary agent database
Refine Your First Ten Pages in Three Days!
Meet the Agents
Paula Munier 

Paula Munier, Senior Literary Agent and Content Strategist at Talcott Notch Literary Services, boasts broad experience creating and marketing exceptional content in all formats across all markets for such media giants as Disney, Gannett, Greenspun Media Group, and Quayside. Paula has also served as both co-chair and Agents and Editors chair on the New England Crime Bake committee for seven years and counting. And she's an active member of Sisters in Crime. A well-published journalist, author, copywriter, and ghostwriter, Paula has penned countless new stories, articles, and essays, as well as authoring/co-authoring more than a dozen books, including Fixing Freddie, 5-Minute Mindfulness, and A Miscellany of Murder.

Gina Panettieri
Gina Panettieri is President of Talcott Notch Literary Services, and has worked as an agent for more than 20 years. She currently represents a full range of adult and children's fiction and nonfiction, with an emphasis in fiction on YA, MG, mystery, fantasy, women's fiction, horror and paranormal. She currently represents an eclectic range of writers, encompassing everyone from a former head of Security and Intelligence for NATO Europe, to CEOs of major corporations and Deans of major medical schools, to stay-at-home writer moms and amazingly talented teens. Gina speaks at many conferences and writing events throughout the country on the subjects of securing an agent and getting published. Her agency website is talcottnotch.net.

Jessica Negron
Jessica Negron has experience working for a diverse range of publishers and publications in both an editorial and design capacity, and she is now a Junior Agent with Talcott Notch, taking on a select batch of clients. She's interested in all kinds of YA and Adult fiction, but leans toward science fiction and fantasy (and all sub-genres), romance (the steamier, the better), and thrillers.

Rachael Dugas
Rachael Dugas joined Talcott Notch Literary in 2011. During her tenure as associate agent, Rachael has judged contests and attended conferences in New York and beyond, working with groups such as Writer's Digest, ASJA, YA Lit Chat, the National Publicity Summit, and the Hampton Roads Writers. Recent sales include titles in young adult and romance to imprints at Hachette, Perseus, and Month 9 Books. Rachael is a former Sourcebooks editorial intern and a proud Ithaca College graduate. She welcomes fiction submissions in the following categories: YA, MG, women's fiction, contemporary and historical romance, historical fiction, and general commercial fiction. Her non-fiction wishlist includes memoir with an amazing voice and cookbooks or performing arts-related books with outstanding platforms.


Register Now