Saturday, April 5, 2014


Here are more articles to read from Script Magazine.

From The Lens: 9 Visual Styles In One Shot
Nathan Blair (DP) talks about how he broke down the script for Ari and Emma sketch comedy video, 'Juicefast,' and created 9 visual styles for one shot.
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The Wide Margin: The Writer’s Most Unkindest Cut of All
Kevin Delin attends an Oscar panel discussion where he is reminded that film editors cut writers as well as film.
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5 Reasons Screenplay Story Structure is Important and FREE Story Structure Tips Download
Whether you write a story or a screenplay, it’s always advisable to work out the plot ahead of time so you can discover the best way of telling it to not only appease the reader, but also to engage your audience. Write a story that wins over your audience with our FREE story structure guidance from the experts.
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Inner Drives: What’s My Character Motivation? Driving the Character Arcs
The Inner Drives offer an excellent paradigm for moving your character through various states of mind, emotions, and actions. Pamela Jaye Smith explains the three approaches to character arcs.
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Script Symbology: The Synchronicity Of Classic Scripts
One method for finding the presence of synchronicity in scripts is to select those classic scripts that have been written in the shorted amount of time. John Fraim explains.
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 -Mid point development

Turnaround time is 3 weeks

Edits and Critiques will continue to be offered separately if a writer just wants one or the other.

Edits: $48.00 flat fee
- covers proper formatting, grammar, spelling, punctuation, sentence structure.

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Here's more writer resources from Script Magazine



UPCOMING SCREENWRITING EVENTS for April!

Screenwriters University:
Classes are through an online platform that you can access anytime. There are weekly assignments to keep up with, but for the most part, you can follow at your own pace.

 
Screenwriting Webinars

 
Script Magazine Mentor Series with Oscar-Winning Producer Ed Saxon

Getting advice from experienced industry professionals is invaluable. Script Magazine gives you access inside the mind of Ed Saxon, Oscar-winning producer of Silence of the Lambs in our one-of-a-kind online mentor series. Join Ed for the entire series or individual classes.
 
Classes at The Writers Store in Burbank






If you need help with your script, feel free to try my service. 

If you are interested in my services, feel free to contact me at

ahicks4298@q.com or call at (360) 696 - 4298


I will be happy to work with you.

                                                   Screenplay Service

Film Scripts Service Edit and Critique combos: $97.00 discount flat fee.

Edit - covers proper formatting, grammar, spelling, punctuation, sentence structure.

Critique - cover the follow:
 -Introduction
- Development
 -Climax
 -Conclusion
 -Character development
 -Mid point development

Turnaround time is 3 weeks

Edits and Critiques will continue to be offered separately if a writer just wants one or the other.

Edits: $48.00 flat fee
- covers proper formatting, grammar, spelling, punctuation, sentence structure.

Turnaround time 2 weeks

Critique: $58.00 flat fee
-Introduction
- Development
 -Climax
 -Conclusion
 -Character development
 -Mid point development


Turnaround time 2 weeks
Query letter Service

I provide query letter writing service for scripts and books.

Query Letter: $28.00 flat fee

Turnaround time 2 weeks


Book Consulting Service



I only provide Critique service for fiction novels. Why fiction only? Because fiction is my strong point.

Critique: $87.00 flat fee

Turnaround time 3.5 weeks(depending on book length)


I do not edit books. I only critique them. Editing books requires a lot of time consuming detail.


Payments are made by Paypal. If you do not have a Paypal account, payments may be made as cashier checks or money orders by postal mail.

If you are interested in my services, feel free to contact me at

ahicks4298@q.com or call at (360) 696 - 4298


I will be happy to work with you.
***********************************************

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Happy Saturday!

Check out the following articles from Script Magazine. They were sent to me in an email.


Behind the Lines with DR: Movie Turnaround and The Enemies List
Doug Richardson, writer of 'Die Hard 2,' tells a tale of a writing assignment, a divorcee, studio politics and movie turnaround.
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Notes from the Margins: The Difference Between A Hook and A Gimmick
These days, writers often get confused between a hook and a gimmick. And the two are not the same thing. Danny Manus explains the differences.
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Back to the Chalkboard: Location, Location, Location
Brad Riddell, screenwriter and professor, gives 10 things to consider when choosing the location of your stories.
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Stories Without Borders: Writing Abroad
Julie Gray, an author, script consultant and former script reader moved from L.A. to Tel Aviv. She shares her global view of writing abroad in her new column, Stories Without Borders.
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Wendy LA4HIRE: What Every Screenwriter Can Learn from Alfred Hitchcock
Producer Wendy Kram shares what screenwriters can learn from Alfred Hitchcock films from exposition to character development.
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Friday, April 4, 2014

The Power Of Thinking

We don't think much anymore. I'm talking about really thinking. Our modern tech world keeps up wired constantly to some sort of high tech device. We can't do anything without them. This has created a thinking deficiency. If the brain doesn't think, the brain will shrink. Once the human brain starts shrinking---- I don't want to think about what will happen to society!

So at least for 15 to 30 minutes a day or a week turn off all your tech stuff, including the TV, go outside, look at the scenery, and think. Think about anything that comes to mind.






Building Your Story Arc: Discovering the Bones of Your Story

(I recently got this in an email from Writers Digest. Check it out.)
SUE JOHNSON
eMedia ProductionCoordinator
Writer's Digest Tutorials
Structure in a story, whether fiction, nonfiction, short or long, has to do with integrity--wholeness. There is a whole and that whole is not visible or predictable to the reader but sensed by the reader. The result is something like giving a reader an experience of "gravity," which they will experience as your expertise and talent--and take the power of that for granted.

Now testing for the structural elements represents the best tool a writer can use to find that integrity of story. Furthermore testing for structure can often get a writer out of story trouble, especially when we hit a "wall" in continuing to develop a story.


Charlotte Cook, MFA, is a former publisher and acquisition editor who now works as a story editor. Her clients are often successfully published and have won awards and honorable mention for their work, including in Writer's Digest contests. She is a published writer as well, writing creative nonfiction and literary short stories. Her suggestions, examples and comments are considered practical and follow a simple guideline: compelling story, engaging characters, evocative world. Her Writer's Digest Tutorial "8 Things First-time Novelists Need to Avoid" was the number one tutorial of 2012.

During this 58-minute video tutorial, you'll discover tools to:
  • Move your story forward
  • Measure the effectiveness of the story arc
  • Trouble-shoot issues of pace and momentum
  • Understand how readers perceive gravity-like structure
Evaluating the effectiveness of the structural integrity of your story is an ongoing process within completing a story. No talk here of outlines before the fact, superimposing requirements that don't relate to the story arc. Instead this practical, reader-oriented approach might even result in the pitch and synopsis material you will need at a later date for agents, editors and publishers. Wouldn't that be a great by-product?

Preview Building Your Story Arc: Discovering the Bones of Your Story >

Writer's Digest Tutorials Members enjoy full access to all tutorials featured in this newsletter, as well as every tutorial on the site.

Haven't taken advantage of the wisdom bestowed through the WD tutorials yet? Why not try it out today and see all that our WD tutorials have to offer! You can try WD Tutorials for only $25/month! You will enjoy instant access to 156+ tutorials, including at least one new tutorial added weekly. Also, there are many new tutorials still in development. Feel free to preview the many tutorials immediately available to you through the WD Tutorials site.

Wishing you a great week!

~ Sue Johnson~

P.S. If you missed the last newsletter (or two), be sure to watch these new and featured tutorials:

Writing the Thriller: The Secrets to Keeping Readers Up All Night

First Impressions: Writing Opening Lines, Paragraphs, and Chapters That Keep an Agent's Interest

Full Cast: How to Enrich and Expand Every Character in Your Novel

Writing a Story Ending that Leaves a Lasting Impression

Create Characters that Propel Your Novel to the Bestseller List

How to Create an Engaging Blog and Build an Audience

Three Secrets of the Greats: Structure Your Story for Ultimate Reader Addiction

For quick and easy access to all WD Tutorials available to you, use this link:

View All WD Tutorials >
Tutorials to Help You Hone Your Writing


Why Am I Getting Rejected?

Start Your Story Right: How to Hook an Agent in Your First Pages

An Agent’s Tips on Story Structures that Sell

How to Plot and Structure Your Novel

Write a Memoir That Sells

Crafting and Selling a Page-Turner

How to Write Dialogue Like a Pro

Build Solid Story Structure & Write Great Fiction

2014 Guide to Literary Agents: An Author's Best Investment!

Good Morning, Readers!

Last month I purchased the 2014 Guide To Literary Agents.

This is my review of the book: Excellent!

As the ads for the guide say, the book really is full of over a thousand literary agents. All you have to do is go through it and pick out the ones for you.

So if you have not bought the book, get it. The most you'll pay is $30.00. I got mine on sale for $22.78. Buying the book is much better than spending time online searching for literary agents on the internet.

Guide to Literary Agents 2014
  
 

Screenwriting Tips: Dialog


Good morning readers!

It has been a while since I updated my web site. I have been busy.

Below is some information from a an email from Script Magazine Online. Read the article. It is good info to help you.

****************

Jeanne's Screenwriting Tips: You're Dead to Me
imageplaceholder Jeanne Veillette Bowerman
Online Editor
ScriptMag.com

One way to insult your audience is to write dialogue that's flat or on-the-nose. Our resident expert on dialogue is Karl Iglesias, and he has a webinar on Monday, April 7th, to help you master dialogue writing. Check out How to Write Sparkling Dialogue: Advanced Techniques to Make Your Script Shine, now ON SALE until April 4, 2014.

____________________ 

by Jeanne Veillette Bowerman

(Please read Jeanne's article on writing effective dialog for a script. Click below.)

Read more of Jeanne's writing advice...